![]() ![]() ColorSynth will also be rolled out for other NLE platforms, with Adobe’s a number one priority for the developer team.ĬolorSynth can be used as a Title Generator. Appropriately called “Keys”, it wasn’t available I wrote this review, but it will be coming soon. There’s a keyboard-alike control surface in the making too. The interface is conceived in such a way that, if you have a good grasp of colour management where it applies to video and film, you’ll be flying through the job in no time. The first thing you’ll notice when using ColorSynth is that it renders results instantly - even on my lowly mid-2011 iMac. ![]() The colour grading tool which is based on Final Cut Pro X’s Effect and Title Generator paradigm has more than 60 items arranged in a 6-layer stack with several sublayers, with the aim of simplifiying what is typically a complicated process. ![]() We put it through its paces.Ĭurrently available for Final Cut Pro X, ColorSynth from Codex provides a pre-wired network of colour processing nodes. Review: ColorSynth from Codex promises a fast new and intuitive way to grade within Premiere Pro and FCP X. ![]()
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